Drawing from Andy Warhol's belief that 'art is what you can get away with,' my portfolio pushes the boundaries between public art and personal narratives, capturing the raw intersection of human experience and contemporary culture.

你好 Ni Hao! I’m Vincent!

As an interior designer, I exist at the edge where concrete meets the imagined—where architecture bends, and materials find new life. Creativity is my constant, woven through the melodies that shape my world and the quiet presence of my cat. The interplay between structured reality andboundless creative freedom has revealed more profound layers of self-awareness, fueling a vision for future projects that blend innovation with quiet, purposeful meaning.

My world is a canvas of lines—some straight, others twisted, and a few vanishing into the horizon where reality and dreams collide. I’ve been walking this path since my mind first met the blueprint of creation. It began with the hum of geometry, the whispers of materials, and the crackling electricity of space waiting to be born. Architecture isn’t just my goal—it’s a universe I’m constantly building in the back of my mind, brick by invisible brick.

In my hands, walls breathe, ceilings stretch toward the stars, and floors become reflections of journeys untaken. My life has been one long conversation between the possible and the impossible, a constant tug of war between solid foundations and weightless dreams. Each line I draw unlocks another layer of this world, revealing the dimensions beneath the obvious. Some say I am an interior designer; I say I am a cartographer of dreams, mapping out the terrain of human experience through space, form, and material.

And then, there’s Dreux—my feline architect of the unknown. He’s the overseer of all that I create, the creature that pads through my sketches, paws light on paper yet heavy with cosmic wisdom. He knows, as I do, that our spaces are more than places to live—they’re portals, thresholds between one state of being and another. His quiet presence tells me that in every project, in every form I sculpt, I must leave room for the undefined, the untamed, the infinite.

In my portfolio, you won’t find mere structures. Instead, you’ll encounter echoes of forgotten cities, the breath of future landscapes, and the delicate balance between chaos and order. I work not with rooms but with dimensions, building places where time folds in on itself, and materials bend to the will of imagination. Each project is a spell, a moment suspended between past and future, where the lines blur and reality takes a backseat to what could be.

So, I continue. Designing, dreaming, creating. Lines become stories, and stories become worlds. With Dreux by my side, I navigate this journey—an architect not just of spaces, but of dreams waiting to unfold.

In a quiet forest, where light filters through leaves in patterns only nature could design, there lies a sanctuary that harmonizes nature and architecture—a place where self-discovery unfolds like petals, slow and steady, guided by the earth itself. This space, not merely built but grown, offers more than walls and paths. It’s a journey that leads visitors through a symphony of sensory experiences, designed to heal the body, calm the mind, and nourish the soul.

Upon entering, visitors are met with the Mirror Forest of Self-Reflection, an ethereal realm where architecture and nature blend seamlessly. Towering trees intertwine with reflective surfaces, allowing the surroundings to become both a physical space and a metaphorical journey. The mirrors catch the silhouettes of those who walk through, compelling them to see themselves against the backdrop of the natural world. Here, specific plants—such as ferns, whose ancient presence offers a sense of groundedness—create a quiet environment where visitors can contemplate the many layers of their being. The sound of rustling leaves, the subtle scent of cedar, and the gentle trickling of water invite a profound connection with the self.

As visitors move deeper, they are led to the Meditation Space, perched on a second floor that seems to float among the treetops. The design is simple yet purposeful, with large, open windows that welcome in the natural light and the breeze, blurring the boundary between indoors and out. Therapeutic plants like lavender and chamomile line the edges of the space, their fragrances infusing the air with tranquility. The architecture is minimal—organic shapes flow naturally, guiding the visitor’s eye outward to the vastness of the forest beyond. This space is a haven, a cocoon for the mind, where quiet reflection and calm breathing align the inner world with the outer.

From there, the journey takes a turn toward the Contemplation Path, where a man-made pool stretches like a mirror beneath the open sky. Here, visitors are invited to meditate by the water’s edge, their reflections rippling with every breath, a reminder of their connection to the world around them. Water plants like water lilies float gracefully on the surface, their roots submerged in the pool’s depths, symbolizing the deep-seated emotions that lie beneath the calm exterior. It’s a space for deep reflection, where the presence of water creates a sense of emotional fluidity, allowing visitors to let go of burdens and flow with their thoughts.

As the journey unfolds, visitors are drawn into the Natural Therapy Experimental Space, where the lines between architecture, nature, and healing blur even further. This space is divided into two zones: one for healing plant experiences and the other for plant cultivation. It’s here that visitors are invited to engage with plants like aloe, known for its regenerative properties, and sage, revered for its cleansing abilities. The architecture is less structured, with vines curling around open spaces and walls that seem to breathe with the plants themselves. This is a living, breathing ecosystem where healing is not just observed but felt through every sense.

Finally, the journey culminates at the Outdoor Terrace, where the architecture opens wide to the world. The terrace offers expansive views of the surrounding forest, with plants like jasmine and rosemary adding their soft fragrance to the air. Visitors stand here, at the edge of nature and structure, of the journey and the self. The terrace is a place of contemplation and conclusion, a space where the visitor can reflect on the healing journey they’ve undertaken.

Each step through this sanctuary is purposeful, designed to evoke calm, balance, and self-awareness. The blending of nature and architecture, the careful selection of plants, and the thoughtful design all work in harmony to create a space that isn’t just visited—it’s experienced. Here, the body finds balance, the mind finds peace, and the spirit, at last, feels at home.

This project is an innovative blend of Haida culture and modern technology, creating a sustainable, modular museum that bridges tradition and cutting-edge design. Drawing inspiration from the Haida’s deep respect for the natural world, the building utilizes microbial materials that both strengthen the structure and reduce its environmental footprint. The museum features bioluminescent lighting, inspired by the glow of marine life found along Haida Gwaii, creating a serene and organic atmosphere.

At the core of the design is the use of carbon capture technology, woven directly into the building’s infrastructure to actively reduce emissions. This high-tech approach to sustainability reflects the Haida’s intrinsic values of environmental stewardship, blending advanced innovation with cultural preservation.

The modular design of the museum allows spaces to be adapted and reconfigured, ensuring flexibility for different exhibitions and events. By merging traditional Haida values with the latest sustainable technology, the museum serves as both a cultural beacon and a forward-looking example of responsible, future-focused architecture.

haus of vincent \

Andy Warhol

1928–1987